6/24/07 03:20 am
I have a headache. I just got back from Kate's house, where we spent the evening eating pizza and watching Y tu mama támbien in Spanish, sin subtítulos. It was a valiant attempt to further immerse ourselves in the language, but my inability to follow the more rapid bits of dialogue was extremely frustrating. Unlike XXY, Y tu mama támbien relies much more on dialogue than on visuals to tell its story, so I probably missed some critical lines. I understood the basic plot enough to enjoy the movie, but my head hurts from trying to decipher all the details. If you haven't seen it, it's a good film about living life to its fullest before dying or growing up, but it has more than a couple rather graphic sex scenes, so I wouldn't recommend it to everyone. I have to admit that I almost died during the last one, though. I never thought I would be so turned on by two guys making out, but under the circumstances (it was a threesome), I'm pretty sure I forgot to breathe for at least three or four minutes. Dangerous stuff.
I've had a few busy days in a row here that have prevented me from writing as much as I wanted to, so I'm just going to rewind and start from the beginning, with the my extremely full Thursday night. It started with nine of us going to a tango show at Café Tortoni, which, according to my host mother and various guide books, is recognized as the oldest café in the city. Even if that isn't true, it's worth seeing. The entrance level has high ceilings with elaborate gilt trim, cozy little tables with rich, red fabric on the chairs, and a long bar of some sort of dark wood that adds to the sumptuous atmosphere of the place. The tango show was downstairs, in a darker, smaller room with red carpets and black tableclothes. There were eighty or so people watching, and the room was packed. The show took place on a small stage stretching across the front of the room, and I was completely surprised by the complexity of it. Of course there was the dance - elaborate, graceful, and beautifully performed - and the traditional music, with a singer, a piano player, a cellist, a violinist, and someone on the bandoneón. But there was also theatre, moments of drama, moments of wild slapstick comedy, stories acted out by the dancers and narrated by the singer, who was also a kind of MC, and, best of all, an interlude where the dancers and the orchestra left the stage and two men came out dressed as gauchos, the rugged cowboy types of the outlying pampas. They were drummers, creating intricate and rapid rhythms and stomping and tapping their feet to the time of their music. The coolest part of the show was when they pulled out ropes with small stones attached to the ends, two each, and began to swing them in complex patterns, beating the floor like a drum with the stones as they swung the ropes, and dancing to the beat within their circles of swirling ropes. They moved too quickly to follow, and it must have taken a great deal of talent to be able to predict where the stones would fall with each motion of the rope and keep up a consistent rhythm. Like the bandoneón, these seem to be a traditional Argentinian musical instrument; I had seen them in several stores before Thursday but had never known what they were for. At any rate, the show was very entertaining, but the café, beautiful as it was, was a tourist trap. When one of the performers asked our nationalities, there were only two Argentinians in the room. The rest were American, Brazilian, Portuguese, Italian, and Mexican. He sang New York, New York for our table, which is how I came to leave the tango show with Frank Sinatra music stuck in my head. That didn't quite seem right to me.
After the show, Carrie, a Vietnamese Yale student with five times the average human ability to energetically take charge of any situation in which she finds herself, more or less collected Kate and me and took us to La Viruta, the bar/salsa/tango place where we took our tango lesson a couple of weeks ago, to have a few drinks before going to the club. Tomás, Kate's temporary Argentine boyfriend, met us there, and decided to come with us. I spent a while chatting with another American we stumbled upon, a blue-eyed California boy who had wondered into La Viruta after just two days in the city. He was planning to study abroad for a year, independent of any sort of program, and, interestingly, turned out to have lived near me in Northern Virginia during his high school years. Small world, isn't it?
Anyway, we ended up heading out for Club Niceto around 2:00, leaving California behind for something that turned out to be far less entertaining. First of all, the promised drag show had relocated to a different club, and had been replaced with a punk rock band which wasn't all that bad, as far as punk rock goes, but was, annoyingly, performing in the hip-hop room. So basically, neither of the subcultures I had been hoping to see was in attendence, and, of course, the girls were dancing by themselves again. I started to look around for someone to approach, but I decided that it seemed like more work than I was willing to put into the evening, so I just danced with Carrie, and we left fairly early in the night, Argentine time, meaning 3:30 am.
That was when the scary part of my night began. I had only had three margaritas, but the first two were strong enough to be mistaken for straight tequila, and I was just tipsy enough to make the poor decision to opt for the first cab that drove by rather than waiting for a radio taxi as multiple people have warned me to do. Radio taxis have dispatchers to answer to. Independent taxis don't. I will never, ever take an independent taxi again. The driver seemed okay at first, asking a few too many questions about whether I had a boyfriend in the U.S. and whether I had a boyfriend here and what I thought of Argentine men, but I didn't think too much of it. Then he started saying, "Dame un besito (give me a little kiss)," over and over, leaning back from the front seat to offer me his cheek. I tried to laugh this off, thinking that it was a little uncomfortable but that we were almost to my apartment. Then he stopped the car about three blocks away from my apartment. Alarm bells probably should have been ringing at this point, but I assumed he had misunderstood the address I gave him, and I decided to just get out here, as it was close enough and the dame un besito was getting a little annoying. When he got out of the car to walk around to my door as I searched for my cash, I thought he was planning to open my door for me, which was strange but not, I supposed, totally unheard of. Then he tried to get in the backseat with me, and suddenly I understood what was going on. He tried to grab me and kiss me, but only succeeded for the space of about a second before I threw my ten pesos at him, jumped out the other door, and half-walked, half-ran toward my apartment. He yelled at me to wait, that we weren't at my street yet, but he didn't try to follow me. It was scary at the time, but now I'm just mad at myself for not having written down or remembered any sort of identifying information about the car so that I could report the incident to the police. I hate to think that this guy probably drove off in hopes of finding someone slightly drunker and a little cuter than me and trying again.
Well, anyway, I missed my first class the next day (surprise, surprise), and slept for another 11 hours on Friday night. I didn't have anywhere to go because Kate was out with Tomás, and as for the rest of the group, three different people had informed me of their plans without inviting me. It's so much like high school here sometimes. Not only am I living with a family, going to school for five and a half hours on end, and coming home for dinner every evening, but the social structure is the same, too. It's cliquey here, far more than it ever was in Chapel Hill. I understand how it happened; being in a strange, new place gives rise to an overwhelming pressure to make friends so that you have something, at least, to which you belong. That first weekend at the ranch, everyone found his or her circle. Kate and I made friends, but I didn't find anyone else with whom I immediately bonded. I thought I had plenty of time to do so, but it hasn't worked out that way. It seems that we have chosen teams and it's impossible to switch now. Cliques can join for cooperative efforts like the tango show, or even the trip to Iguazu, but they go their separate ways afterward without having grown any closer. I don't like it, but it's too big for me to change.
At any rate, the only thing I really accomplished on Friday was a trip to MALBA, the Museo de Arte Latinoamericano de Buenos Aires. There wasn't too much to see there, but I did fall in love with Antonio Berni, and there was one painting by a Chilean artist, Roberto Matta, The Disasters of Mysticism, that I could have stared at for hours. It isn't of much of anything; half of a horse's face can be deciphered from the shadowy, shifting forms and colors, and different parts of it evoke a cat's nose and whiskers or a spiderweb or a plate of dirty glass or a night sky, all at once, none of it explicit, and I'm sure that it's the sort of painting in which everyone sees something different. It isn't a painting of things, but of a mood - dark, seductive, evil, profoundly uncertain. I loved it. As for Antonio Berni, the details in his work are amazing. There was one painting on display in which he constructed a fence. On one side of the fence, everything was made out of trash glued onto the canvas. The people were grotesque creations of crumpled newspapers, but the newspapers featured things they couldn't have: beautiful women and food. One of the figures, a prostitute, was made of the faces of men clipped from papers, but they were men who looked happy, attractive, inviting - a wishful alteration of memory. On the other side of the fence was a giant figure of a perfect woman holding a car in her hand, cut from an advertisement somewhere, no doubt, but transformed into a powerful social critique. I forget what that one was called, but there was another, La Manifestación, or The Demonstration, which I liked almost as much and which shows his true talent when he wasn't working with trash. The man was brilliant.
So that was Friday, and today Kate and I went to explore La Boca before ending our day watching Y tu mama támbien at her apartment. La Boca is on the southern end of the city, right on the waterfront, and it's a residential area, mostly, and obviously poor. It doesn't feel dangerous, though; it is known for its brightly painted buildings, its street artists and impromptu tango shows in the streets, its many cafés and galleries and the small market that takes up residence there every weekend, and, of course, its fierce loyalty to the Boca Juniors, one of Argentina's two best fútbol teams. Local children run everywhere amidst the tourists in el Caminito, the two or three blocks where the streets are thickest with artists and merchants selling their wares, and the whole area is overrun with dogs and cats, most of whom seem to belong to no one in particular but receive food and petting from everyone. We ate at a small café with a couple dancing the tango on and off for the entire hour and a half that we were there. The menu had charming English translations next to all the items, such as Mariscos - See Fishies. I laughed for about five minutes over that one. I loved the area and walked away with a small watercolor painting of a couple dancing the tango, a handwoven blouse, and a bombilla with my name engraved on the side, the obligatory Argentina artifact. I don't think you can find them anywhere else, but they're sold here on every street corner. Now I just have to start drinking loose leaf tea occassionally so I can use it. The strangest thing we saw by far today, though, was a local man outside the tourist zone of La Boca wearing a Confederate flag t-shirt. I'm sure he had no idea what the flag on his shirt symbolized, but I cringed at the sight of it anyway, and I couldn't help but wonder how on earth it could have made its way down here. Of course, I wonder the same thing about Phat Girls, the horrible Mo'Nique movie which we saw on the bus to Igauzu, and the most recent Johanna Lindsey book which I saw translated into Spanish. I wish we'd edit our exports a bit to avoid embarrassing ourselves so much.
Anyway, I have to go to sleep so I can get up early tomorrow and leave for Colonia, Uruguay, on an overnight trip with the whole program. From what I understand, it's a beautiful rural area and a place to just relax and get away from the city for a while. Our program director lives there, as well, and is planning an asado (a roast) at his house for us. His boyfriend is a professional chef, and I've been told to expect the best food I've ever tasted in my life. More on that when we get home on Monday. Ciao!